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So, TU, SEMPRE is quite an intriguing piece. It's like stepping into a dream where text becomes the main character. For about 40 minutes, you’re confronted with this shifting white text on a pitch-black canvas. It’s almost meditative, with a slow, deliberate pacing that draws you in, while Thomas Kön's drone music adds an unsettling yet captivating layer to it all. The visuals aren't just moving images; they're more like a visual poem, interspersed with select still images that punctuate the flow. This film feels like an exploration of language and perception, almost a challenge to traditional narrative structures. It's not for everyone, but that's what makes it stand out in a collection.
TU, SEMPRE is not overly common in collector circles, likely due to its experimental nature and niche audience. It exists in various formats, but original videotape versions are particularly sought after. Given its unique approach to storytelling and visual art, collectors often appreciate its meditative qualities and thematic depth. It's a film that invites discussion, making it a fascinating piece for those who enjoy unconventional cinema.
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