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Ums freiwerden hätte es ja gehen sollen offers a raw glimpse into the psyche of Elfriede Irrall's mother, Erika Trojan. The film unfolds with a candid tone, where Erika navigates her past in Vienna amidst the backdrop of National Socialism. The pacing is reflective, allowing audiences to truly absorb her thoughts on family, constraints, and her complex relationship with love and sexuality. What stands out here is the unfiltered honesty of Erika’s dialogue, providing an atmospheric depth that's both haunting and compelling. It's a distinctive character study, blending personal history with broader societal themes, making it a unique piece in the experimental documentary realm of the late '70s.
This film is quite rare and has gained interest among collectors who appreciate deep personal narratives. Its absence from mainstream releases has created a scarcity that heightens its allure. While there are few copies in circulation, the film's intimate exploration of its subjects resonates with those who delve into lesser-known works from this era. Collectors often search for it due to its unique tone and historical context.
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