Untitled

About This Movie

So, this untitled piece from 1978 is really fascinating in how it reorders the same footage we see in Epilogue. The sequencing—first pan, then dissolve-crossfade, and finally freeze—creates a unique viewing experience that contrasts with the other film's structure. It plays with your expectations, pushing against the boundaries of narrative form. There's this almost hypnotic atmosphere, as you drift through these fragments, each small segment carrying its own weight in meaning. The pacing feels deliberate, almost meditative, which lends a different texture to the viewing. It's an exploration of anti-narrativity, forcing you to confront your own perceptions of what a film can even be, which is always a compelling proposition.

Untitled (1978) remains a bit of an enigma in the collector's world, primarily due to its obscure director and its experimental nature. The film's structure and reordering of footage provide a curious contrast to its counterpart Epilogue, appealing to those interested in avant-garde cinema. Limited distribution has led to a certain level of scarcity, which might pique the interest of dedicated collectors looking to add something truly distinctive to their archives.