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So, 'Very White' is this curious little UCLA student film from '79, and it really showcases some raw storytelling. The atmosphere is gritty, almost oppressive, as it follows Max, a derelict whose mental struggles are palpable. Kitten, this shady character, steals from him, which just adds to the bleakness. The pacing is a bit uneven, but that adds to its charm, leading us to this sleazy nightclub scene that’s memorably offbeat. The stripper's disinterest during her act feels like a commentary on the mundanity of exploitation. The performances are pretty compelling, especially Max's portrayal of despair. It’s not polished but that’s what makes it distinctive, embodying a rough edge that captures the era’s underground vibes.
Finding a copy of 'Very White' can be a bit challenging, as it's a lesser-known title in the UCLA archive. It’s mostly been preserved in niche circles, but that adds to its allure among collectors. There’s an undeniable charm in its raw execution, and those who appreciate student films will likely find it interesting. Given its unique take on mental health and nightlife, it's a film that invites discussion among collectors and cinephiles alike.
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