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So, 'Vittorio' is a fascinating piece that really melds the realms of animation and art in a unique way. You have Wakefield Poole taking poster art from Vittorio Fiorucci and manipulating it into this stop-motion spectacle. The use of hand-cut posters lends a tactile quality that’s pretty rare in animation, you know? It feels raw and experimental, like he’s breaking boundaries with an 8mm camera. The integration of dancers and lighting adds this layered dimensionality, making the whole experience feel quite immersive. It’s not your standard animated fare; it embodies this avant-garde spirit that many collectors appreciate.
Finding a copy of 'Vittorio' can be a bit of a treasure hunt. It was originally made for a gallery, so the distribution is quite limited, and it often slips under the radar. The few formats that exist, especially in good condition, tend to attract attention among collectors who appreciate its creative approach and unique history. It definitely has that niche appeal, especially for those who are into experimental animation and the intersection of art and film.
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