Was die Rechte nicht sieht, kommt erst recht aus dem Ohr heraus

About This Movie

So, 'Was die Rechte nicht sieht, kommt erst recht aus dem Ohr heraus' is this intriguing short from 1972 that really encapsulates Rosa von Praunheim's early experimental spirit. It's like a wild snapshot of a time and place, with a tone that feels both raw and oddly intimate. You get this sense of urgency in the pacing, almost like you're being pulled into a conversation that's just slightly out of reach. The themes around visibility and repression are pretty pronounced, as you'd expect, and there's a certain audacity to the way it's presented. The performances are unrefined yet compelling, adding to that almost DIY feel. It stands out as a piece that was meant to be part of something larger, the ending of 'Die Bettwurst', but it holds its ground on its own too.

This film is somewhat rare within the collector community, given its limited release and the specificity of its content. It often surfaces in discussions around the early works of Rosa von Praunheim, but finding a good quality print can be tricky. Some collectors are particularly drawn to its experimental nature and connection to 'Die Bettwurst', adding layers to its historical significance. Overall, it’s an interesting piece for those looking to deepen their understanding of avant-garde cinema from the early '70s.