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Water Motor is a fascinating piece that captures Trisha Brown's unique style as a postmodern dancer. The film is shot in a way that feels almost intimate; you can sense the rhythm of the dance and the struggle of its execution. Mangolte's decision to film the third take in slow motion adds a layer of reflection, allowing us to appreciate each movement and nuance. It's almost meditative, really, with a focus on the physicality of dance that transcends mere performance. The atmosphere is both stripped down and rich, giving viewers a chance to really connect with the art form in a raw, unfiltered way.
Water Motor is a rare find, particularly for those interested in dance and film intersections. This film has seen limited distribution, making it a sought-after piece among collectors. Various formats exist, but the original prints hold the most value, especially those in good condition. Its blend of performance art and film experimentation makes it a distinctive entry in the realm of dance films.
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