We Hold These

About This Movie

We Hold These is a curious piece, the second installment in a trilogy that dances between abstraction and recognition. The film threads together organic forms with geometric shapes—there’s something almost meditative about the flow, as if inviting viewers into a dreamscape of biologies intertwined with pastel aesthetics. The atmosphere is ethereal, driven by a deliberate pacing that allows time to ponder the visuals. It’s a reflective exploration of life and its myriad forms, executed with practical effects that feel tactile against the more conceptual elements. You can lose yourself in the layers, appreciating how it challenges perception and representation without demanding linearity.

We Hold These is a rather obscure title, often overshadowed by more commercial releases of the era. The film has seen limited distribution, which adds to its rarity; many collectors appreciate its unique blending of visual arts and themes. As part of a trilogy, it piques interest for those looking to explore the full narrative arc and thematic depth across the series. Its scarcity makes it a notable find for anyone digging into experimental cinema from the mid-90s.