We Still Have to Close Our Eyes

About This Movie

So, 'We Still Have to Close Our Eyes' is quite an interesting piece—really a collage of sorts, repurposing docu-footage from notable Filipino filmmakers. It’s got this haunting atmosphere, almost dreamlike, where the narrative unfolds in a non-linear fashion. The pacing is deliberate, which makes the eerie themes about control and identity resonate more. You’re left pondering the implications of our digital lives and the way it plays with the concept of human avatars is pretty unique. The practical effects, though minimal, add a layer of authenticity to the surreal experience. It's got that distinctive Torres touch, making it a conversation starter, for sure.

This film seems to occupy a niche space within the Filipino cinema landscape. Its format history is a bit obscure, but collectors may find interest due to the experimental nature and the way it weaves known filmmakers into its narrative fabric. Scarcity might be a factor, as it hasn’t seen widespread distribution, making it a unique piece for those who appreciate the intersection of documentary and narrative forms. The distinctiveness of Torres' approach offers a fresh take that could intrigue collectors looking for something outside the conventional.