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We'll Be Waiting, Come Back is an intriguing little drama from 1981 that paints a vivid picture of a young woman's internal struggle. The protagonist, stepping into adulthood with a projectionist's role, is heavily influenced by the glamorous yet unrealistic world of Greta Garbo films and romantic novels. It’s fascinating how the blend of these influences creates a sort of mental chaos for her. The pacing feels almost dreamlike at times, which really emphasizes her disconnect from reality. The performances carry a raw honesty, particularly in her interactions with her practical friend, who serves as a much-needed grounding force. The cinematography mirrors her conflicted mindset, adding layers to this exploration of identity and the impact of media on personal choices.
Explores themes of identity and media influence.Captures the essence of early 80s indie filmmaking.Features an unconventional narrative style.
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