We’re Getting On (Part I)

About This Movie

So, 'We’re Getting On (Part I)' is really fascinating in how it plays with minimalism. The film's pacing feels almost meditative, as it focuses on a series of gestures, which can seem simple but really evokes a range of emotions. There’s something almost haunting about its deliberate exclusion of those indefinite states we often take for granted in storytelling. It leaves you pondering what’s left unsaid. The atmosphere feels a bit detached, yet somehow engaging, which is a hard balance to strike. You can tell the performances are coming from a place of deep understanding of the human experience, making it distinctive in its approach to narrative and expression.

This film has had a varied release history, with limited editions emerging over the years, but finding a clean copy is a bit of a challenge. Its scarcity has drawn some attention from niche collectors interested in experimental cinema. While not mainstream, its unique approach and thematic depth have sparked interest among those who appreciate the subtleties of film as an art form.