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We're in Portugal but in France (2024) offers a deeply personal glimpse into Louis Pereira's world, weaving together the wisdom of his grandmother with his own childhood memories. The documentary unfolds slowly, inviting viewers to savor each moment, echoing the rhythm of everyday life. The atmosphere is intimate, almost like sitting in a cozy living room, listening to stories that resonate on multiple levels. There's a certain rawness to the interviews, and while the practical effects are minimal, they serve the narrative without overshadowing it. It's not flashy, it’s more about the heart behind the visuals. The storytelling style is reflective, a meditation on family ties and the passage of time that feels both nostalgic and present.
Intimate storytelling styleFocus on family themesRaw and reflective atmosphere
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Key Crew
Louis Pereira
Director