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So, Windows. It's an early piece from Weerasethakul that really shifts your perspective on video art. The whole thing feels very loose, candid even. You're not going to see much action; it’s more about the interplay of light and shadow, the camera and the window. The pacing is deliberately slow, inviting you to linger on those subtle changes that often go unnoticed. It’s about the relationship between the viewer and the medium—how your gaze interacts with the space. Definitely has this meditative quality that sticks with you, making you ponder the nature of perception itself. It's a unique exploration, to say the least.
Windows has a somewhat niche appeal, as it’s part of Weerasethakul's experimental video work. The formats available are mostly limited to earlier releases, which can be tricky to source. Its distinct style and thematic focus have garnered interest among collectors, particularly those who appreciate unconventional filmography. The scarcity of editions, especially in good condition, adds to its intrigue for dedicated enthusiasts.
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