Wrong Guys

About This Movie

So, 'Wrong Guys' is this intriguing piece from 1997 that serves as a unique entry in the Wooster Group's oeuvre. It’s adapted from James Strahs' novella and carries a certain unfinished, raw feel that’s quite captivating. The pacing is intentionally disjointed, which adds to its charm—there’s a sense of experimentation here that feels very true to the avant-garde spirit of the time. You get these haunting atmospheres that linger, thanks to the minimalistic yet effective visual style. Performances have that signature Wooster vibe, blending absurdity with stark realism. There's definitely something distinctive about its approach to storytelling, capturing a moment in time that’s both surreal and reflective of the era's complexities.

The 'Wrong Guys' is a rare artifact, especially within the context of the Wooster Group's body of work. First shown at the 1997 Whitney Biennial, it hasn't had extensive distribution, making it somewhat elusive for collectors. Formats are limited, often found in niche collections, and its experimental nature has drawn a specific interest from those who appreciate avant-garde cinema. While it may not be widely available, the film's uniqueness solidifies its place in discussions about the intersection of theater and film in the late 90s.