Yes Frank No Smoke

About This Movie

Yes Frank No Smoke is a fascinating piece, really. George Barber takes two films—The Blue Lagoon and The Deep—and pulls them apart, like a kid dissecting a toy, then reassembles them into something oddly new and intriguing. The tone is experimental; it’s not your typical narrative structure but rather a collage of moments that creates a unique atmosphere. The pacing might throw some off; it’s not linear and has this disjointed flow that almost invites you to see the editing as a character itself. It’s distinctive in its approach, leaning heavily on the juxtaposition of scenes and the unexpected connections that arise from them. Not everyone will appreciate it, but it's certainly a conversation starter for those who enjoy abstraction in cinema.

This film is somewhat elusive in the collector's market, with limited releases on VHS and a few later digital formats. Its experimental nature often leaves it overshadowed, but those who seek out Barber's work tend to appreciate the unconventional narrative structure. Condition and rarity of physical media can vary greatly, adding to its allure for dedicated collectors who enjoy the avant-garde side of filmmaking.