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Yes, God, Yes feels like a nuanced dive into the tangled web of adolescence and sexual awakening, wrapped in a quirky comedy-drama package. The film captures the awkwardness of a Catholic upbringing with a light touch, yet it doesn’t shy away from the heavier themes of guilt and self-discovery. The pacing is deliberate, allowing moments to breathe, especially in those cringe-worthy, yet relatable encounters Alice faces. There's a distinctive softness to the cinematography, almost nostalgic, reminiscent of early 2000s indie films. The performances are refreshingly honest; Natalia Dyer does a brilliant job capturing that blend of innocence and curiosity. It’s interesting how it portrays those formative years without glorifying or demonizing the journey. Definitely a unique piece in the coming-of-age genre.
Explores Catholic guilt and sexual awakening.Unique blend of comedy and serious themes.Strong performances, particularly from Dyer.
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