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Yes/No (1968) plays with the boundaries of what cinema can be. The film features both a real curtain and a projected one, creating this interesting layer of separation between the audience and the action. It's more of an experience than a traditional narrative, inviting viewers to ponder the concepts of reality and illusion. The pacing feels deliberately disjointed, which might be off-putting for some, but it really emphasizes the tension in the themes of destruction and action. The practical effects, however minimal, draw attention to the craftsmanship behind them, adding to that experimental feel. Overall, it’s distinctive for its blending of different mediums and that playful tone it strikes. Quite an interesting watch for those who appreciate unconventional cinema.
This film is part of the 20 Action and Destruction Films collection, which adds a layer of intrigue for collectors. As for formats, it's been released on various media, but original prints are relatively rare. Interest among collectors seems to center around its experimental nature, and those who appreciate avant-garde cinema often seek it out. Finding a good copy can be a challenge, so it holds a certain appeal for those diving into the more obscure corners of film history.
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