Marjorie Keller was a pioneering force in experimental cinema from the early 1970s until her untimely passing in 1994. Known for her deeply personal and feminist approach to filmmaking, her most notable work, *As Is Was* (1995), exemplifies her unique blend of home movie aesthetics and diary-like narration, intertwining personal history with broader political themes. Collectors particularly seek out this film for its honest depiction of identity and community, which resonates strongly within the avant-garde film scene. Beyond her filmmaking, Keller was an influential cultural worker, serving on the board of the Collective for Living Cinema and editing their journal, *Motion Picture*. Her dedication to supporting fellow artists and promoting experimental film has made her a revered figure among collectors who appreciate not just her films, but her contributions to the film community. Keller's work continues to inspire those who value the intersection of art and activism, ensuring her legacy remains vital in the world of physical media.